Computer Animation

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What should we do to improve the art direction sense if we don’t have fine art background? in film, print, CG.

From where should we start if we really want to improve our art direction sense to due with any film, animation, CG print, web, other media project in the job.

To be an Art Director, according to www.ecos.princetonreview.com, you must have…

WORKER REQUIREMENTS:
Top skills needed to ease learning and the performance of this career.

Operations Analysis: Analyzing needs and product requirements to create a design.
Coordination: Adjusting actions in relation to others’ actions.
Management of Personnel Resources: Motivating, developing, and directing people as they work, identifying the best people for the job.
Writing: Communicating effectively in writing as appropriate for the needs of the audience.
Time Management: Managing one’s own time and the time of others.
Management of Financial Resources: Determining how money will be spent to get the work done, and accounting for these expenditures.
Critical Thinking: Using logic and reasoning to identify the strengths and weaknesses of alternative solutions, conclusions or approaches to problems.

Top types of knowledge which are required for this career.

Design: Knowledge of design techniques, tools, and principles involved in production of precision technical plans, blueprints, drawings, and models.
Fine Arts: Knowledge of the theory and techniques required to compose, produce, and perform works of music, dance, visual arts, drama, and sculpture.
Administration and Management: Knowledge of business and management principles involved in strategic planning, resource allocation, human resources modeling, leadership technique, production methods, and coordination of people and resources.
English Language: Knowledge of the structure and content of the English language including the meaning and spelling of words, rules of composition, and grammar.
Telecommunications: Knowledge of transmission, broadcasting, switching, control, and operation of telecommunications systems.
Communications and Media: Knowledge of media production, communication, and dissemination techniques and methods. This includes alternative ways to inform and entertain via written, oral, and visual media.
Sales and Marketing: Knowledge of principles and methods for showing, promoting, and selling products or services. This includes marketing strategy and tactics, product demonstration, sales techniques, and sales control systems.

WORKER CHARACTERISTICS:
Top abilities needed to perform well at this career.

Originality: The ability to come up with unusual or clever ideas about a given topic or situation, or to develop creative ways to solve a problem.
Speech Clarity: The ability to speak clearly so others can understand you.
Oral Expression: The ability to communicate information and ideas in speaking so others will understand.
Fluency of Ideas: The ability to come up with a number of ideas about a topic (the number of ideas is important, not their quality, correctness, or creativity).
Visualization: The ability to imagine how something will look after it is moved around or when its parts are moved or rearranged.
Written Expression: The ability to communicate information and ideas in writing so others will understand.
Oral Comprehension: The ability to listen to and understand information and ideas presented through spoken words and sentences.

Top work values that are satisfied by this career.

Creativity: Workers on this job try out their own ideas.
Ability Utilization: Workers on this job make use of their individual abilities.
Achievement-Mean Extent: Occupations that satisfy this work value are results oriented and allow employees to use their strongest abilities, giving them a feeling of accomplishment. Corresponding needs are Ability Utilization and Achievement.
Achievement: Workers on this job get a feeling of accomplishment.
Autonomy: Workers on this job plan their work with little supervision.
Independence-Mean Extent: Occupations that satisfy this work value allow employs to work on their own and make decisions. Corresponding needs are Creativity, Responsibility and Autonomy.
Responsibility: Workers on this job make decisions on their own.

OCCUPATION REQUIREMENTS
Top work activities that people working in this career will perform.

Thinking Creatively: Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions.
Getting Information: Observing, receiving, and otherwise obtaining information from all relevant sources.
Communicating with Supervisors, Peers, or Subordinates: Providing information to supervisors, co-workers, and subordinates by telephone, in written form, e-mail, or in person.
Communicating with Persons Outside Organization: Communicating with people outside the organization, representing the organization to customers, the public, government, and other external sources. This information can be exchanged in person, in writing, or by telephone or e-mail.
Organizing, Planning, and Prioritizing Work: Developing specific goals and plans to prioritize, organize, and accomplish your work.
Making Decisions and Solving Problems: Analyzing information and evaluating results to choose the best solution and solve problems.
Judging the Qualities of Things, Services, or People: Assessing the value, importance, or quality of things or people.
Coordinating the Work and Activities of Others: Getting members of a group to work together to accomplish tasks.

Below is the description of the Job Zone for Art Directors.

Job Zone Four: Considerable Preparation Needed
Experience
A minimum of two to four years of work-related skill, knowledge, or experience is needed for these occupations. For example, an accountant must complete four years of college and work for several years in accounting to be considered qualified.
Job Training
Employees in these occupations usually need several years of work-related experience, on-the-job training, and/or vocational training.
Education
Most of these occupations require a four – year bachelor’s degree, but some do not.

Cg animation work

Getting a Job in CG: Real Advice from Reel People $22.52 Here is the definitive, insider’s guide to landing that first critical job or upgrading your current job in the 3D/Effects industry. This Maya Press title, a joint publishing effort between Sybex and Alias, offers priceless, candid career strategies from the industry leaders. It starts off by introducing the myriad job possibilities and resume building techniques. Interviews with noted industry an…

Becoming a Digital Designer: A Guide to Careers in Web, Video, Broadcast, Game and Animation Design $35.00 From the author of the bestselling Becoming a Graphic Designer and the editor of Adobe Think Tank comes this clear overview of the field of digital design This complete guide to the evolving digital design disciplines opens the door to today’s most sought-after job opportunities in Web, video, broadcast, game, and animation design. Featuring over 45 interviews with leading digital designers a…

Opportunities in Cartooning & Animation Careers $14.95 This book offers: The latest information on a field of interest Training and educational requirements for each career Salary statistics for different positions within each field Up-to-date professional and Internet resources …

Thinking Animation: Bridging the Gap Between 2D and CG $7.64 Learn how to think before you animate. Thinking Animation is a one-of-a-kind book that emphasizes how artists can use traditional animation techniques and principles with the computer generated animation technology of today. Written by seasoned animators with experience in both 2D and CG, Thinking Animation is an exquisite guide aimed at experienced animators; however, the skills taught within are still accessible and valuable to the novice animator. This full-color book includes numerous interviews with experienced contributing authors from a wide range of backgrounds, including stop-motion, visual effects, traditional animation, and CG. Thinking Animation is non-software specific. It contains a history of the field of animation as well as insight into how CG studios operate. It embraces the future of animating with the computer while still retaining the core values that traditional animators use as formulas and principles.Part I. Foundation 1. Fleas on the Shoulders of Giants 2. Tell Me a Story 3. The Good, the Bad, and the Just Plain Annoying Part II. Animation 4. The Thursday Animator 5. Every Frame Counts 6. Acting in the Moment, Again and Again and Again Part III. And Now a Word from the Producer 7. Studio Politics: When Push Comes to Stab 8. The End of the Beginning 9. Indexes Part IV. History and Production Notes

3ds max 6 Animation: CG Filmmaking from Concept to Completion (Consume $1 This guide explains how to create compelling 3D graphics and animation, putting readers on the fast-track to careers in film or game design–today’s hottest growth industries.

How to Get a Job in Animation $12.28 Talent and drive are vital in animation, but they aren”t always enough. Hamm offers tested advice on how to find jobs, and how to turn those jobs into a career.

CG 100 CHARACTER GENERATOR $979 @@ Based on a Decklink card in a PC, the Datavideo CG-100 software is an affordable CG with exquisite SDI quality. Connects to the SDI Overlay/Graphics input on the SE-800 or any video switcher that accepts SDI keyed graphics input. With this CG software you compose pages before they are used. For example, lower thirds or titles. And you can compose files off line . The CG-100 can hold many pages, limited only by the computer’s processor speed and RAM speed and size. If you have 150-200 pages you will need a faster computer with more storage than if you have 50 pages. Text positioning may be done by mouse/eye or by X/Y pixel designation. Image objects may be imported as graphics and stored as part of the page. Simple shapes (ellipses and rectangles) are menu items and may be added to the page. Animation objects can Wipe, Push and Fade Text can roll and crawl. Fonts are TrueType and available from Adobe. The CG-100 will work with any switcher that accepts the SDI video and key signal coming from the Decklink Card. The CG-100 software requires use of the drivers included with the software.

Jobs $5.99 Jobs

Action!: Acting Lessons for CG Animators $7.97 In order to bring a character to life, it is beneficial for animators to have a solid understanding of acting principles, and this book examines the important skills behind the artistry of creating animated characters. With a particular emphasis on a character’s motions and movement, this unique resource covers the basic elements of acting for CG animation and then progresses to more advanced topics such as internal intent and motivation.<p><b>Note:</b> CD-ROM/DVD and other supplementary materials are not included as part of eBook file.1. What Is Acting?<p>2. Foundations of Animation.<p>3. Stanislavski’s System.<p>4. Commedia dell’Arte.<p>5. Bioenergetics.<p>6. Using the Work of Michael Chekhov in Animation.<p>7. Essences.<p>8. Laban.<p>9. Alba Emoting.<p>10. Voice Performance for Voice-Overs.<p>11. Lip Synch and Facial Performance.<b>John Kundert-Gibbs</b> is an associate professor of Animation in the Theatre and Film Studies Department at the University of Georgia. He is the author of numerous books on Maya and 3D animation.<p><b>Kristin Kundert-Gibbs</b> is assistant professor of Acting and Voice in the Theatre and Film Studies Department at the University of Georgia and has worked as an actress, producer, director, and vocal coach.<b>Create More Powerful, Compelling CG Characters Using Advanced Acting Techniques</b><p>If you want to breathe new life into your CG characters, you need to understand the actor’s perspective. Within these pages, you’ll discover how to apply expert acting techniques directly to your animation. From utilizing Commedia lazzi, to breathing in patterns that create emotion, to analyzing energy sources and blocks within the body, you’ll dramatically increase your CG animator toolbox for developing a character. You’ll then learn how to apply these acting secrets so your character really connects with the aud@áG®záÿ¾Úð

Gardner’s Computer Graphics & Animation Dictionary $2.5 DIVDIVDIVGardner’s CG & Animation Dictionary is the consummate guide to the language of the computer graphics and animation world. It contains short and quick definitions of production terms used by visual effects and animation professionals. Hundreds of terms and phrases are defined as well as acronyms and terms related to software packages. Ideal for students and working professionals, this reference is packed with technical, non-technical, career-related titles, and production language. Cel Animation, Clay Animation, Anime, CGI, and all other styles and techniques of animation are also defined along with common graphic design terms. This guide will keep novices and professionals up-to-date in this fast-moving world of Computer Graphics & Animation./DIV/DIV/DIVDIVDIVDIVBGarth Gardner/Bis a professor of multimedia and animation. He is a publisher, director and media consultant at GGC, Inc./DIV/DIV/DIV

C.G. Jung $17.06 C.G. Jung

Movie Animation $24.89 This high-interest series takes readers behind the scenes to learn about the various jobs- and famous people- involved in making movies. Written at a level accessible to struggling readers, each book explains a different part of the movie-making process, from scripts and acting to stunts, soundtracks, and special effects. Brief biographies introduce fascinating actors, directors, special effects wizards, and the stunt men and women who entertain us at the movies. Many of the films discussed will be familiar to readers, enhancing their appreciation of movies as well as their desire to read!